The Descent Wetland heron nests at dusk: January 15,2014 CC Jean Stimmell |
And infinitely more really real than the conventional telling of Adam and Eve story – and the conclusions drawn about what it is to be human!
All photographs and images are by the author unless specifically identified otherwise. Note: clicking on them will make them bigger.
The Descent Wetland heron nests at dusk: January 15,2014 CC Jean Stimmell |
A space to share my writing, images, and quotations around indigenous, philosophical, sustainable, and spiritual themes to facilitate dialogue and encourage creative exploration.
These "poetic essays" give primacy to artfulness over the conveying of information. They forsake narrative line, discursive logic, and the art of persuasion in favor of idiosyncratic meditation...
The lyric essay does not expound. It may merely mention…Generally it is short, concise and punchy like a prose poem. But it may meander, making use of other genres when they serve its purpose: recombinant, it samples the techniques of fiction, drama, journalism, song, and film [or image]…
The lyric essay often accretes by fragments, taking shape mosaically - its import visible only when one stands back and sees it whole. The stories it tells may be no more than metaphors. Or, storyless, it may spiral in on itself, circling the core of a single image or idea, without climax...
Perhaps we're drawn to the lyric now because it seems less possible (and rewarding) to approach the world through the front door, through the myth of objectivity. The life span of a fact is shrinking… We turn to the artist to reconcoct meaning from the bombardments of experience… For more, click on: Lyric Essay
I believe that reality, as we perceive it, is socially constructed: We create meaning in our lives through the stories we tell.
“While modernist thinkers tend to be concerned with facts and rules, postmodernists are concerned with meaning. In their search for and examination of meaning, postmodernists finds metaphors from the humanities more useful than the modernist metaphors or nineteenth-century physical science.” Quote from "Narrative Therapy" by Freedman and Combs (1996) p. 22.
1 comment:
It is difficult for me to imagine what the Garden of Eden was like before the Fall. We can only speculate as to how miraculous and transcendent it supposedly was through the writing in the book of Genesis, where Moses, a man, painted broad matter-of-fact strokes of creationism. Those strokes lacked depth, explanation, and dimension, and instead of answering the question of who we are and where we came from, caused many of us to question what the beejeebees he was talking about, and how any of it was even possible. If we take a quasi Judeo/Christian perspective for a moment and boil the story of Adam and Eve down to a smaller metaphor – maybe it was simply about loyalty. How can, I wonder, either of them have understood or appreciated God’s love if they had never been separated from it? Free Will. When Eve was tempted by Satan and ate the forbidden fruit (which we don’t really know what exactly that was) she exercised her choice and separated herself from God’s love. Where was her loyalty? What is interesting about this, one might ponder, is that through her descent, she ultimately became closer to him. Her choice was not a mistake; it was her path to greater understanding. The Fall, if we are to believe in this, was essential. The Garden of Eden is almost as unfathomable as death itself, and the afterlife, because we have of no experience of it. It is through Eve, that we relate our own experience to – and before I head into an angry feminist rant, I agree, she was the real heroine of this story.
This is just a rabbit hole theory.
I also find all of the begats in Genesis perplexing.
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