|Found on the outermost beach of Cape Cod: 3/17/13|
CC Jean Stimmell
Saturday, November 25, 2017
Walking the deserted, outer beaches of Cape Cod in winter, reconnects me to that deep place in my psyche before humans walked the earth, a mythic place resonating to primal rhythms still being played today: the thumping sound of an endless series of ocean waves crashing ashore, in varying intensities and pitch, colliding with shimmering sand as far as the eye can see, all under an infinite sky canopy, alive with scudding clouds and screeching gulls.
One day on the outermost such beach, pristine and lonely, without a single human footprint, a mythical creature magically appeared. Awakening from an eons-long slumber, she’s crawling up out of the depths through a widening crack in human consciousness, created by the earth-shaking tremors of catastrophic climate change. She symbolizes the disruption in the rhythms of ordinary evolution, not seen since that giant meteor explosion rocked the earth, wiping out most of Earth's inhabitants.
The evolutionary stew is, indeed, being stirred anew by this daemon of old: part bird, part marsupial, incubating her egg, unprotected on her back. No longer cuddled in the fluffy nest of Mother Nature's maternal care, her egg is us –humankind – cast out of Eden as a result of our dirty, industrialization deeds.
We are on our own now: bright and shiny, alien and alone.
Tuesday, November 14, 2017
|Gigantic, mutant, swamp-dwelling Mosquito*|
CC Jean Stimmell: 12/28/16
Welcome to Trump’s Theater of the Absurd
“As Gregor Samsa awoke one morning from uneasy dreams he found himself transformed in his bed into a gigantic cockroach.” This, of course, is the famous opening line of Kafka’s short story, “Metamorphosis.”
Because Kafka was living through times in many ways similar to what we are facing, I fear that being transformed into a giant insect is something we should all worry about.
John Sutherland[i] writes that for Kafka, the cockroach might be an allegory for racism, foretelling the rise of Hitler, authoritarianism, and his attempted extermination of an alleged “verminous” race”?
Or is Kafka foreseeing the collapse of the Austro-Hungarian Empire with its nightmarish results: fellow citizens like Kafka woke up one day to find their identities had vanished.
That’s the way I feel.
My sense of identity, if not vanished, has been seriously compromised. Before Trump, I felt securely grounded in what it meant to be an American; now I feel that ground has turned to quicksand.
Nevertheless, I hoped that as time went on, life under Trump would normalize, allowing me to regain a solid footing in reality. But that hasn’t happened.
But, on the first anniversary of the rise of Donald Trump, I awoke with the icy realization that my worst nightmares about Trump had become cold reality.
It was like I had dreamed that my beloved Statue of Liberty, benevolent greeter to the huddled masses of the world, had been turned into a gigantic, swamp-dwelling mosquito:
An avenging apparition hell-bent on sucking our identity out of us, those precious qualities we, as Americans have always held in common and cherished.
Yes, we have always had outliers but a huge majority of us have always believed in what the Statue of Liberty stood for: That we were the exceptional nation who believed in fair play, a beacon of light to other countries.
Being one-for-all was what it meant to be an American, each of us a unique ingredient in what had always been the great American melting pot.
Now Trump is attempting to reverse what it means to be an American. His cry of “America First” is a dog whistle meaning “white people first.” Not surprisingly, white nationalism and hatred of foreigners are on the rise.
Our situation is so beyond the pale, it’s not just tragic, it’s absurd. And that brings us back to Kafka.
Kafka’s surreal dream story was a forerunner to a type of theater that highlights the absurd to convey the playwright’s sense of bewilderment and anxiety in the face of the unexplainable. This genre, naturally enough, became known as the “Theater of the Absurd.”
And isn’t that exactly what we feel as a nation right now: a sense of bewilderment and anxiety in the face of the unexplainable.
We are living in Trump’s Theater of the Absurd, starting with his inaugural where the crowd was sparse but he said huge. Photographs proved him wrong, but his spokesperson touted his version as a perfectly acceptable “alternative fact.”
New examples crop up daily; here are a selected few:
Trump says Putin “means it” when he says he didn’t meddle in our elections despite the findings of all our intelligence chiefs, whom Trump dismisses as “political hacks.”
Man-made climate change is a hoax despite the unassailable scientific evidence, coupled with what we plainly see with our eyes. This week the Trump team was jeered at climate talks for promoting coal.
Christians, who support Trump even though he brags about grabbing women’s pussies, are now citing the bible to defend Roy Moore’s child molestation charges.
The U.S. has spent six trillion on wars of choice since 9/11, wars that have sunk into bottomless quagmires; meanwhile our infrastructure and standard of living are going to hell. Trump’s answer is to double down on the military.
The U.S. ranks near the bottom in indicators of mortality and life expectancy: Trump’s answer is to attempt to take health care away from millions more.
Is this the Theater of the Absurd or what!
Around the world, citizens take to the streets to protest grievances much less global than those I have listed. Yet, we sit immobilized as if in a stupor.
For us collectively as a people, it is like Trump has slipped a date rape drug in our drink. Or, in the words of conservative columnist, Bret Stephens[ii]: we inhabit a culture we despise but see no way of improving.
[i] A Little History of Literature by John Sutherland
[ii] Bret Stevens, NYT, 11/10/17