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| Stone Culvert, Boscawen NH: 10/16/14 CC Jean Stimmell |
Monday, October 20, 2014
Reminiscing about the olden ways
A version of the following essay, along with the photograph below,
was published 10/24/14 in the Concord Monitor
Last Thursday we enjoyed a fall walk along the Merrimack
River in Boscawen on a newly opened section of the Northern Rail Trail,
following what was originally a Boston and Maine rail line.
At one point I stopped to ponder how the workers who built this
rail bed 150 years ago, without modern equipment, had been able to move the
prodigious amounts of earth necessary to build a raised causeway over the
expansive swamp we were crossing. Standing on this raised roadbed, we watched a
sizable stream snake toward us through the swamp and disappear under our feet
only to reappear on the other side.
Being an old stonemason, I was curious about what kind of
culvert the workman had constructed to let the stream pass through, a passageway
that was obviously still working perfectly, even after all these years.
It wasn’t easy. We had to make a long detour to find a
not-too-steep route down off the causeway and then backtrack to the brook. The
photograph above is what we found: a beautifully arched culvert, 12’ high,
built out of locally quarried granite, dry-laid without the use of any mortar
or cement.
The craftsmanship is superb from the precise way the arch is
constructed to the structural alignment of the granite pieces. But more than
that, it is pleasing to the eye in both shape and composition. To my biased
eye, this arch surpasses craft and is capable of standing alone as a piece of
art.
Yet, as hard as it is to believe in today’s world where
everybody is straining to achieve their 15 minutes of fame, this marvelous arch
was not concocted for the applause of others or to wow a crowd at a gallery
opening; it was simply built as a utilitarian structure in the backwaters of
Boscawen in a forgotten swamp that no one would ever see but trappers and river
rats.
Oh, how I wish I could have lived back in those olden days where
workers had the luxury of building beautiful things like this arch, just
because they could, before we all became ruled by the clock: when we had time
to finish things without hurrying, when we could stand back at the end of the
day and admire our work, not because it was cost efficient but because it met
our own standards of what is good and right.
XXX
Thursday, October 16, 2014
Meditating on Sea of Being
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| Meditating Outside My Door CC Self-portaint:10/15/14 |
Seeing Things Anew
Meditating outside my door
pastel kaleidoscope colors
pungent ripeness of fall
transported beyond myself
floating on Sea of Being.
Thoughts
about Seeing Things Anew:
Henry
Shukman writes about the nature of “seeing things anew” in the current issue of
Tricycle Magazine.
He tells us that in the field of art, this ability was called “defamiliarization”
by Russian literary theorist Viktor Shklovsky who wrote: “The purpose of art is to impart the sensation of things as they
are perceived and not as they are known.”
And to accomplish that, art makes objects “unfamiliar,”
less habitual:
“Habituation devours work, clothes, furniture, one’s wife,
and the fear of war. . . . And art exists that one may recover the sensation of
life; it exists to make one feel things, to make the stone stony.”
In essence, Shukman concludes, “art exists to restore to us our actual
experience, unmediated by the veil of what we think we know.”
Shukman then widens his net by saying that this ability to restore us
to our actual experience is bigger than just art but something basic to our
search for spiritual meaning in life.
“Even as we are impelled to strive to understand things,
somehow we yearn at the same time to be divested of that understanding, so we
can meet things more intimately. Defamiliarization is, then, both a function of
art and a structural feature of spiritual life, and whether or not it is
recognized in this way, it is the source of deep resonance between them.”
Certainly I felt this deep resonance this morning,
meditating in front of my door.
XXX
Saturday, October 11, 2014
Eating the Golden Trout is a sacred meal
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| Giant Kelp at Long Sands Beach CC Jean Stimmell: October 2014 |
Arriving straight from the briny depths – without warning – I was confronted by a giant kelp with faded eyes who
spoke strong words to me:
"Don’t be an unctious do-gooder,
so under a yuppie spell that you would release this magnificent fish you were lucky
enough to catch in your dream net.
You idiot!
This fish is your unconscious,
your path to everlasting life. Throwing her back may win you points in the
realm of the politically correct but, in the bargain, you will castrate your primal
being.
You must eat her
instead!
Through eating the golden trout, you will incorporate the wild, the collective wisdom of Gaia back
into your conscious mind.*
Through this sacred
meal, you will be reborn. You will become whole."
–––––––––––––––––––––––
–––––––––––––––––––––––
* My
thanks to Annette Hanson for helping me ingest this Jungian insight.
Saturday, October 4, 2014
A dream about killing The Golden Trout
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| CC Jean Stimmell: 9/27/14 |
A dream about killing The Golden Trout
–––––––
Soon after my dream, Russet and I were in the White Mountains. While taking a hike up to Artist’s Bluff, our dog rolled in an horribly smelling, dead animal carcass. We had to find some place quick to give her a bath. Descending the nearest path from the bluff, we came out at Echo Lake, a beautiful high mountain pond that, in a very visceral way, reverberated with my dream image. Even more surreal, the water in the pond was held in by a narrow dam, corresponding closely to the one in my dream as you can see in the photograph below.
The first photograph at the beginning of this blog is of Echo Lake. As in my dream, anglers were fly casting for trout along the edge. I manipulated the tones and colors to more closely resemble my dream state. Unfortunately, there was no golden trout –I had to add that.
XXX
Wednesday, September 24, 2014
Our fate: turning gray, overripe, fading...
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| CC Jean Stimmell: 9/23/14 |
September 23, 2014: Thoughts while photographing
milkweed along the Merrimack in the last light of a perfect fall day.
Looking at Milkweed from afar, we
can clearly see her destiny, writ large in the ever-changing cycles of life:
Turning gray, overripe, fading, soon to fertilize the ground – yet transcendently
beautiful.
Clearly She has a larger fate: With
the seeds of future generations already visible within her, poised to fly off
and pollinate the Earth, isn’t she really merging with ALL?
If we look at ourselves from afar,
isn't our fate the same?
Friday, September 19, 2014
Sacred Spaces & New Myths
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| CC Jean Stimmell: 9/18/14 Pawtuckaway Park |
Can Mythology Save Us? In an interview on this subject, Arthur
George points out how humans have moved from fantasy thinking to more
linear, rational thinking through language only very recently, just in the last two to three
thousand years of our long evolutionary history.
This rapid psychic
development, he says, has resulted in a major imbalance, allowing our
rational ego consciousness to almost totally repress our vital unconscious
processes, “which among other things has rendered our culture too masculine,
warlike, and out of touch with nature.”
I believe that Arthur George has put his finger on the root cause of
the dementia that haunts our modern world. It’s not what the conservatives have
done or the liberals; it’s not what the Christians have done or the Muslims;
it’s over-dominance by our rational minds that is the problem.
For the sake of our mother earth and all her precious inhabitants, we
need to find a way to a higher level of existence, one where our conscious self
is integrated with the full contents of our unconscious.
George says the way to do this is by creating new
myths.”[i] But to do so, he says, certain criteria must be followed:
For a new myth to work, it has to reconnect us to what in the ancient
world was called the center of the world: “a sacred spot where the divine, in
the heavens and the underworld, connected with the earthly…it is where the three
planes of the cosmos meet and thus lies at the heart of reality.
Archetypically, it was also thought of as the place of creation.”
In simpler language the sacred spot is a temple or sanctuary where we
can interact with our deities and experience transcendence: “Sacred space is
existential for humans, and can exist anywhere on earth.”
My sacred spot is the Boulder Field in Pawtuckaway State Park, but it
wasn’t always so. When I was younger and more rational, it was just a nest of
giant rocks. However, over time as I age, I have become increasingly mesmerized
by the magic of this spot.
It has become a sacred space.
Something changes as soon as I pass up over the last ridge and descend
down into the valley of the boulders. I enter a
more-than-human space: I feel the temperature drop and sounds fade, like being
ushered into the cool stillness of a great cathedral. Surprises abound as I come across giant stone figures in a truly mythical world, one that Gaia built.
As I have tried to show with these two photographs, great hulking
beings inhabit this sacred place, sad and reflective, two-stories high.
| CC Jean Stimmell: 9/18/14 Pawtuckaway Park |
XXX
Saturday, September 13, 2014
A Dream: Moment of Reckoning
| Moment of Reckoning CC Jean Stimmell: 9/13/14* |
A Dream I Had Last Night
I am walking along the shore trying to find access to the ocean
until, after hours pass, I come across a run-down state park.
I pass through an overgrown field of rubble and old tires
and come to a gate in an old rusty, chain link fence:
Passing through, I finally arrive at my destination,
a sandy beach shelving off into swirling surf,
blood red in the glow of the setting sun.
Large luminous waves crest and break as they near shore
which would normally attract me to jump in and body surf
but this whole scene seems ominous and treacherous
so i gingerly wade out in the surf just to my ankles
when I am grabbed by an immense undertow,
terrifyingly swift, feeling like certain death
which I am barely able to escape
falling back to the beach
a puddle of fear.
terrifyingly swift, feeling like certain death
which I am barely able to escape
falling back to the beach
a puddle of fear.
* This image is a collage made by combining a photo I took of a sunset over Jenness Pond on 7/1/12 and a photo I took on 9/12/13 of a surfer braving the elements south of Cannon Beach in Oregon.
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