Looking east from Saco, ME: 7/28/16 CC Jean Stimmell |
Friday, July 29, 2016
Untethered from time and space
This boat seemingly untethered from time and space
evokes in me the memory of another boat
I sailed upon long ago
bound for Vietnam
How transfixed I was on midnight watch
by our phosphorescent wake
splitting the mirrored sea:
Our boat only a speck
in the ocean of eternity
Thursday, July 28, 2016
Modern nationalism increases mental illness, mass violence
The following essay was published in the Concord Monitor 7/27/16
Reflections in a Dover Store window: 7/17/16 CC Jean Stimmell |
Reflections from back in time
Reflecting back
on my youthful days as a card-carrying member of the 1960s counterculture, I
remember being taken aback by a provocative statement by one of my professors:
he declared that looking back through European history, people were happiest
during the Middle Ages.
He was referring to the ideas of Eric Fromm,
psychoanalyst and social critic, who wrote that while people in that era lacked
individual freedom, they had ultimate security as to who they were, what their
place in society was, and what their purpose in life was, both while alive and
in the hereafter. Out of that security came contentment.
Despite – or
more likely because of – the crazy era I
came to age in, this idea stuck with me. While I certainly didn’t want to trade
places with a peasant or stone mason from the Middle Ages, I was acutely aware
of the immense weight of anxiety and stress bearing down on my frail shoulders,
attempting to survive in ultra-individualistic America.
It fell upon me,
and me alone, to design my own life, determine the purpose of my existence, and
then endeavor to follow through on my goals in the effervescent flux of an
ever-changing world. There were no
immutable standards to measure myself against: Any doubts I harbored over
whether I was succeeding or happy could only be an indication of a personal
failing. There was no fallback position: As a modern American, I could not
blame fate or God or anybody else. I was the one solely responsible for my
fate.
Fromm thought that
such ultra-individualistic freedom lead not only to stress and anxiety but to
alienation and serious mental illness. He did not think this was a private
problem where individuals had become “unadjusted;” he thought it was a public
issue, a “pathology of contemporary Western society.”1
I was reminded
of these ideas recently while perusing a new book by Liah Greenfield, Mind,
Modernity, Madness. Like Fromm, Greenfeld claims that increasing mental
illness is the price paid by the developed world for replacing communities
knitted together by traditions with nation-states organized by the liberal
values of equality, liberty, and declining religious authority.
If this is so, I wondered, what relevance does this have to the recent
upsurge of unstable individuals committing mass violence. The pertinent
question becomes: If democratic nationalism breeds mental illness, is there a
causal connection between this rising psychopathology and the recent increase
in mass violence?
The NYT recently made such a connection, in a piece entitled “In the Age of ISIS, Who’s a Terrorist, and Who’s
Simply Deranged?” Terrorism experts agree that the Islamic State has “a
broad appeal to the mentally unbalanced, the displaced and others on the
fringes of society.”
One can certainly make the case that the causal factor in much of our
recent violence is mental illness, not terrorism. In many recent cases of mass killing, the
deranged perpetrator converted to a terrorist ideology only in the last weeks
of his life, or last days, or in one instance, the last minutes before he was
killed.
From a mental health professional viewpoint, the sequence of events
leading to violence likely is as follows: an unstable individual sits and
stews, isolating himself from others,
ruminating about his perceived failings, churning with inchoate rage she don’t
understand and can’t verbalize. Over time–if left untreated– his rumination can
turn to delusions. Losing touch with reality, he projects his repressed rage
and unacceptable feelings of aggression onto some outside entity–a person,
group, or country, who he comes to identify as the devil incarnate. Finally, after dehumanizing this “enemy,” he
takes action, believing no type of brutality against such evil could be too
extreme.
To Liah Greenfield, this does not bode well for our future. She believes
that madness bred of nationalism will become a mobilizing force, “creating a
politics of sheer ideology and shaping a destructive form of political action”,3 more tribal than productive.
So far, her dismal prediction appears to be coming true with the rise of
increasingly aggressive and xenophobic strains of nationalism around the world
– including, unfortunately, right here in the United States, as personalized by
the rise of Donald Trump.
What can be done?
One thing is clear: It is counterproductive to arm every citizen to the
teeth or mount military campaigns against other countries or whole religions as
a response to such deranged, lone-wolf attacks. While less dramatic, and thus
unappealing to politicians, it would be far more cost efficient and effective
to provide quality and affordable mental health services to all our citizens,
as well as to people around the world.
While that would be a significant improvement, it would still only be a
band-aid treating the symptoms.
When it comes to treating the cause, it is Fromm, not Greenfield, who
prescribes real medicine to treat this spreading “pathology” of contemporary
life. His diagnosis extends beyond a critique of nationalism to blame unbridled
capitalism for uprooting community, putting profits over people, and corrupting
politicians, resulting in increasing disparity between rich and poor –all of
which accelerate economic insecurity and psychological suffering.
Fromm knew we could never turn back the hands of time: Modern democratic
nationalism is here to stay, but he believed the correct treatment could do
much to ameliorate the human suffering it causes.
Eric Fromm’s medicine of choice was democratic socialism. Maybe it’s time
to give it a try. Bernie Sanders certainly thinks so.
xxx
––––––––––––––––––––––––––
1 The
Sane Society by Eric Fromm, page 6
2 New
York Times, 7/18/16
3 American Journal of Sociology, Vol. 119, No. 5 (March
2014), pp. 1527-1528
Sunday, July 24, 2016
Passage to Middle Earth, Primal Labyrinth, Mythic Rhino
Today at Adams Point, Durham, NH
Primal Labyrinth CC Jean Stimmell: 7/24/16 |
It is so important to keep the eye glued
o the reality of the actual holiness!
– from Alfred Kazin's Journals
Mythic Rhino CC Jean Stimmell: 7/24/16 |
Without worship, without respect, without wonder,
without the great work with which our wonder
and awe plunge us, what is there — what?
without the great work with which our wonder
and awe plunge us, what is there — what?
But the “modern” epoch is precisely that in which
each of us must discover our gods for ourselves
– from Alfred Kazin's Journals
each of us must discover our gods for ourselves
– from Alfred Kazin's Journals
Passage to Middle Earth CC Jean Stimmell: 7/24/16 |
Tuesday, July 19, 2016
Reflections on Time
Thursday, July 14, 2016
Sunday, July 10, 2016
Art and Silence
Hampton Beach? CC Jean Stimmell: 1/22/15 |
After retreating to the Book and
Bar Bookstore after a torrential downpour cut short our participation in
last night’s Black Lives Matter Vigil in Portsmouth, I discovered and
read – though soaked to the skin – a mind-expanding essay by Susan Sontag.
Though written 47 years ago, The
Aesthetics of Silence is an amazingly current examination of how
silence is a critical component of modern art: or in her own words, “how
silence mediates the role of art as a form of spirituality in an increasingly
secular culture.”[i]
According to Sontag “art usurps the
role religion and mysticism previously held in human life — something to
satisfy our “craving for the cloud of unknowing beyond knowledge and for the
silence beyond speech.”
As such, Sontag connects the path of
the modern artist with that of mystics from time immemorial.
Sontag uses a perfect example: The
Cloud of Unknowing[[ii]originally written by an
unknown mystic in the fourteenth century. It is a literary work of great beauty
offering a practical guide to the path of contemplation. In order to
access a higher spiritual reality, this ancient mystic explains how, first, all
thoughts and concepts must be buried beneath a “cloud of forgetting.”
The holy grail for today’s artist, in
my opinion, is to attain this “cloud of unknowing,” to forge a unity between
art and anti-art in a higher dimension, to heal the split between verbal versus
nonverbal, cognition versus emotion, right versus left brain, mind versus body.
Maria Popova says that, for Sontag,
the way forward from the spiritual satiation that arises from this dialogue
between art and anti-art, necessitates the pursuit of silence. For the
serious artist, silence becomes “a zone of meditation, preparation for
spiritual ripening, an ordeal that ends in gaining the right to speak.”
Pursuit of silence should not be just
a goal for artists but us all. That is the message of modern day mystics, like
Eckhart Tolle: If we connect to the stillness within, we move beyond our active
minds and emotions and discover great depths of lasting peace, contentment,
serenity – and, might I add, creativity.
When you become aware of silence,
immediately there is that state of inner still alertness. You are present. You
have stepped out of thousands of years of collective human conditioning.
xxx
–––––––––––––––––––––––––––––––––––
1.The
Aesthetics of Silence, pp. 3-34 from Styles of Radical Will by Susan Sontag
2. I am indebted to Maria
Popova’s review of this piece in Brainpickings
https://www.brainpickings.org/?s=susan+sontag%2C+silence
3. The Cloud of Unknowing, edited by William Johnston,
Doubleday, NY: 1973
Monday, July 4, 2016
The homeless like snails...
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