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Reptile Mother: Ecola State Park
CC Jean Stimmell: 9/11/13 |
In my last blog, I attempted to show how art images can
originate as archetypes from our collective unconscious by contrasting Rodin’s
sculpture, The Thinker, with an
amazing 3000 year-old piece of indigenous art. (I’m aware that the ancient
indigenous piece was undoubtedly created not for ephemeral arts sake but as
part of an overarching spiritual quest).
These two sculptures are examples of archetypal images
welling up from our collective unconscious – our common pool of our history
from the dawn of human time across all races and cultures. But our collective consciousness – at yet a
deeper and more fundamental level – is molded by our primal relationship with
the natural forms of Mother Nature that surround us.
I will attempt to illustrate this principal by comparing and
contrasting photographs I took at the Northwestern Native American art exhibit
at the Portland Art Museum with photographs I took in the Sitka Spruce rain
forest at Ecola State Park in Oregon today.
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Portland Art Museum |
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Untouched Photograph:Ecola State Park Oregon: 9/11/13
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Tlingit totem poles, Northwest Coast of North America, ca. 1907 |
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Tree in Ecola State Park 9/11/13
CC Jean Stimmell |
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